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Arielle Vernède plays Canto Ostinato & Chopin

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On Sunday, November 22nd, Harmony welcomes a special performance of Canto Ostinato for six grand pianos. Performed by: Sonja Lončar and Andrija Pavlovic of LP Duo, Mike del Ferro, Tamara Rumiantsev, Irene Russo & Jeroen van Veen.

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Canto Ostinato performed by Aart Bergwerff on the organ. LP Duo (Sonja Lončar and Andy Pavlov) Irene Russo and Jeroen van Veen.

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Pianist Helena Basilova and multi-instrumentalist Aart Strootman present a bold new version of Simeon Ten Holt’s iconic masterpiece Canto Ostinato. They combine solo piano with deep electronic textures that enhance the intensity and emotional power of the piece.

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Ten years ago, master pianist Ivo Janssen and the Mallet Collective joined forces at Het Concertgebouw in Amsterdam. This iconic recording marked the beginning of a special tradition: the unique arrangement of Canto Ostinato for piano, two marimbas, and two vibraphones, in which the percussive keys and resonating melodies seamlessly blend together. 

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Ten years ago, master pianist Ivo Janssen and the Mallet Collective joined forces at Het Concertgebouw in Amsterdam. This iconic recording marked the beginning of a special tradition: the unique arrangement of Canto Ostinato for piano, two marimbas, and two vibraphones, in which the percussive keys and resonating melodies seamlessly blend together. 

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Experience Deurne's Sint Willibrordus Church as you've rarely seen it before. On Friday, 30 October, the historic church will be illuminated by more than 1,400 candles for a special All Hallows’ Eve celebration.

All Hallows’ Eve is the evening before All Saints’ Day and is the historic origin of today's Halloween. From 6:00 pm, you can enter the candlelit church and experience its architecture, tranquillity and atmosphere in an entirely different way.

At 9:00 pm, the music begins with Canto Ostinato by Dutch composer Simeon ten Holt. This celebrated composition will be performed by Bert Augustus on the Smit organ, Martien Maas on grand piano and Arjan Mooi on the Pels organ. Surrounded by the glow of hundreds of candles, the combination of piano and two organs promises an extraordinary musical experience.

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On October 28, 2026, the magical Tuschinski Theater in Amsterdam opens its doors once again for a rarely enchanting evening. In this art-deco palace, Jeroen van Veen, Aart Bergwerff, and Eric Vloeimans bring Simeon Ten Holt’s legendary Canto Ostinato to life—a musical journey that continues to touch generations.

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Canto Ostinato performed by Myung Hwang Park

This recital is conceived as a single arc—a gradual journey toward self-dissolution through music. Part I, “The Threshold,” serves as an intentional preparation, where each work contributes to a progressive release of narrative expectation. Couperin’s Les barricades mystérieuses introduces the logic of repetition through its quietly hypnotic rondeau structure. Satie’s Trois Gymnopédies deepens this suspension until the habit of expecting arrival begins to dissolve. Franck’s Prélude, Fugue et Variation then offers a final threshold: a music of inward prayer before the crossing.

Following the intermission, Part II (“Absence / Presence”) is devoted entirely to Canto Ostinato, performed in near-total darkness. The work is not a centerpiece among others; it is the destination of the entire evening. The title of the concert, “Facing the Divine,” does not invoke a religious figure. Here, the ‘divine’ represents the audience members themselves, sitting alone in the dark, facing their own reflection through endlessly repeating music.

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